Opera Press Reviews
For Old Lady in Welsh National Opera’s production of Bernstein’s Candide, Autumn 2025
Amy J. Payne all but runs away with the ridiculous humour as the Old Woman. Her rich mezzo, her comic bite, her sheer presence is a vocal and theatrical tour de force.
…the Old Lady’s big number ‘I Am Easily Assimilated’ (performed with gusto by the excellent Amy J Payne)
Amy J. Payne delivers a truly stand-out performance as the Old Woman: from the moment she first comes on stage, she consistently steals the scene, whether singing or acting.
The singing by all members of the cast is excellent. Soraya Mafi stands out with a powerful voice and delightful timbre. Excellent is also Amy Payne as The Old Woman, delivering a funny and skillful performance…
Amy J Payne as the Old Woman gets lots of exposition in her backstory; she gets the piercing vocals of I Am Easily Assimilated right, too.
…and, perhaps above all, the panache displayed by Amy J Payne’s Old Lady is extraordinary.
But the vocal honours go to Ed Lyon’s tireless, textured tenor lyricism as Candide…..and Amy J Payne’s joyous Old Lady – the latter a demonstration of how to maximise every opportunity in both text and score to brilliant comic effect. Equalling Payne’s stage savvy, Aled Hall offers a couple of highly skilled turns…..
For Olga in Lehár’s The Merry Widow for Scottish Opera, Spring 2025
….and outstanding in their more incidental roles were Matthew Kellett as a zappy Negus and Amy J Payne as an explosive Olga.
Come for the big tunes, stay for the straight-legged “Russian” folk dance performed unsmiling in dark glasses…… Christopher Nairne and Connor James Smith made one winning double act as warring Italians, Amy J Payne and Matthew Siveter as another, the ferocious “Russian” Kromows.